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Realism
Coming to prominence with the nineteenth-century novel, literary realism has most often been associated with the insistence that art cannot turn away from the more sordid and harsh aspects of human existence.However, because realism is unavoidably tied up with the gnarly concept of 'reality' and 'the real', it has been one of the most widely debated terms in the New Critical Idiom series. This volume offers a clear, reader-friendly guide to debates around realism, examining:*ideas of realism in nineteenth-century French and British fiction*the twentieth-century formalist reaction against literature's status as 'truth'*realism as a democratic tool, or utopian form. This volume is vital reading for any student of literature, in particular those working on the realist novel.
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Magical Realism
Magical Realism is the essential introduction to this often complex area and guides students through the use and origins of terms in art, literature and film.It differentiates the concept from other terms and genres and gives an overview of the geographical and cultural range of the fiction. This new edition has been fully revised and expanded throughout to include: engagement with new critical work published since the first edition a more global coverage visual arts and theatre readings of authors such as Angela Carter, Toni Morrison, Salman Rushdie, Gabriel Garcia Marquez and films such as Pan’s Labyrinth a new chapter on Postcolonialism. This comprehensive and accessible guide is the ideal starting point for students of literature, film and television studies.
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Ethical Realism
This Element examines the many facets of ethical realism and the issues at stake in metaethical debates about it—both between realism and non-realist alternatives, and between different versions of realism itself.Starting with a minimal core characterization of ethical realism focused on claims about meaning and truth, we go on to develop a narrower and more theoretically useful conception by adding further claims about objectivity and ontological commitment.Yet even this common understanding of ethical realism captures a surprisingly heterogeneous range of views.In fact, a strong case can be made for adding several more conditions in order to arrive at a proper paradigm of realism about ethics when understood in a non-deflationary way.We then develop this more robust realism, bringing out its distinctive take on ethical objectivity and normative authority, its unique ontological commitments, and both the support for it and some challenges it faces.
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Epidemiological Realism
This book examines what it means to live in an epidemiological reality, exploring the worldbuilding properties of epidemiology through the lens of critical theory, literary analysis, and visual culture.Whether we want it or not, we live in a world made of statistical correlations, risk factors, and social determinants of health, animal reservoirs and spillovers, containment strategies and curves to be flattened, prophylactic measures, and syndromic surveillance systems detecting in real-time potential outbreaks.This book uses a series of vignettes to show that we have lived in a version of that reality for quite some time now, even before the formalization of epidemiological tools and concepts at the beginning of the twentieth century.
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What is the concept of human nature in realism?
In realism, the concept of human nature is based on the belief that humans are inherently self-interested, competitive, and driven by their own desires and needs. Realists argue that this self-interested nature leads to a constant struggle for power and resources among individuals, groups, and states. This view of human nature shapes realist perspectives on international relations, emphasizing the importance of power, security, and the pursuit of national interests in shaping state behavior. Overall, realism sees human nature as a key factor in understanding and predicting the behavior of states in the international system.
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Which travel destination causes wanderlust when traveling alone?
Traveling alone to destinations like Bali, Indonesia, or the Amalfi Coast in Italy can cause wanderlust. These places offer stunning natural beauty, rich cultural experiences, and opportunities for self-discovery. The freedom to explore at your own pace and immerse yourself in the local culture can create a sense of wanderlust and adventure. Additionally, the chance to meet new people and make meaningful connections can add to the allure of these destinations for solo travelers.
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What is the difference between poetic realism and realism?
Poetic realism and realism are both literary movements that aim to depict life as it is, but they differ in their approach and style. Realism focuses on portraying everyday life and ordinary people in a straightforward and objective manner, often without embellishment or idealization. Poetic realism, on the other hand, combines realistic elements with poetic and lyrical language, creating a more stylized and artistic representation of reality. Poetic realism often uses symbolism, metaphor, and other literary devices to convey deeper meanings and emotions, while realism tends to focus more on the surface details of everyday life.
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Which travel destination do you recommend for an adventure vacation in 2022?
I recommend Iceland as a travel destination for an adventure vacation in 2022. With its stunning landscapes including volcanoes, glaciers, hot springs, and waterfalls, Iceland offers a wide range of outdoor activities such as hiking, glacier trekking, snorkeling in crystal-clear waters, and exploring ice caves. Additionally, you can witness the mesmerizing Northern Lights during the winter months. Iceland's unique natural beauty and thrilling adventures make it a perfect choice for an unforgettable adventure vacation in 2022.
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Socialist Realism
When Trisha Low moves west, her journey is motivated by the need to arrive “somewhere better”—someplace utopian, like revolution; or safe, like home; or even clarifying, like identity.Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia.In this book-length essay, the problem of how to account for one's life comes to the fore—sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won't find.Attempting to reconcile her desires with her radical politics, she asks: do our quests to fulfill our deepest wishes propel us forward, or keep us trapped in the rubble of our deteriorating world?
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Magic(al) Realism
Bestselling novels by Angela Carter, Salman Rushdie, Gabriel Garcia Marquez and a multitude of others have enchanted us by blurring the lines between reality and fantasy.Their genre of writing has been variously defined as 'magic', 'magical' or 'marvellous' realism and is quickly becoming a core area of literary studies.This guide offers a first step for those wishing to consider this area in greater depth, by:exploring the many definitions and terms used in relation to the genretracing the origins of the movement in painting and fictionoffering an historical overview of the contexts for magic(al) realismproviding analysis of key works of magic(al) realist fiction, film and art. This is an essential guide for those interested in or studying one of today's most popular genres.
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Realism Challenge, The
With over 10 million views and growing, Mark Crilley's "Realism Challenge" YouTube videos have an enormous worldwide legion of fans and have been featured on sites such as Yahoo News and Reddit.Now, for the first time, Crilley pulls back the curtain to reveal his artistic tricks and secret methods for creating these astonishing renderings.The Realism Challenge leads artists through Crilley's use of pencil, watercolour, pastel, and gouache to produce life-like, seemingly impossible drawings of common household objects like playing cards, crumpled paper, leaves, and seashells that look just like photographs.Each lesson builds off the previous, with sidebars covering specific techniques-such as rendering drop shadows, applying white highlights, and building from light to dark-that artists can master in order to conquer The Realism Challenge.
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Rendering French Realism
Realist novels are usually seen as verisimilar representations of the world, and even when that verisimilitude is critically examined (as it has been by Marxist and feminist critics), the criticism has referred to extra-literary matters, such as bourgeois ideology or defects in the portrayal of women.This book takes as its thesis that the point defining realism is the point at which the processes of representation break down, a sort of black hole of textuality, a rent in the tissue. The author argues that our notions of continuity, of readability, of representability, or our ideas about unity and ideological shift—or even our notions of what is hidden, occulted, or absent—all come from the nineteenth-century realist model itself.Instead of assuming representability, the author argues that we should look at places where the texts do not continue the representationalist model, where there is a sudden falling off, an abyss.Instead of seeing that point as a shortcoming, the author argues that it is equal to the mimetic successes of representation. After an initial chapter dealing with the limits and ruptures of textuality, the book considers the work of Stendhal, from its early state as a precursor to the later realism to La Chartreuse de Parme, which shows how the act of communication for Stendhal is always made of silences, gaps, and interruptions.The author then reads several works of Balzac, showing how he, while setting up the praxes of continuity on which his oeuvre depends, ruptures the works at various strategic points.In a chapter entitled "Romantic Interruptions," works of Nerval and the younger Dumas, seemingly unrelated to the realist project, are shown to be marked by the ideological, representational, and semiotic assumptions that produced Balzac. The book concludes with Flaubert, looking both at how Flaubert incessantly makes things "unfit" and how critics, even the most perspicacious postmodern ones, often try to smooth over the permanent crisis of rupture that is the sign of Flaubert's writing.
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What is the new realism?
The new realism is a philosophical movement that emerged in the 20th century, emphasizing the importance of reality and the external world. It rejects the idea of subjective idealism and focuses on the objective existence of the world. New realists believe that reality exists independently of our perceptions and interpretations, and that it can be understood through scientific inquiry and empirical evidence. This movement seeks to provide a more accurate and comprehensive understanding of the world, challenging traditional philosophical views.
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What is realism in "Irrungen Wirrungen"?
Realism in "Irrungen Wirrungen" refers to the novel's portrayal of everyday life in 19th-century Berlin with a focus on the social and economic realities of the time. The author, Theodor Fontane, presents a detailed and accurate depiction of the struggles faced by the lower and middle classes, as well as the constraints imposed by societal norms and expectations. Through realistic characterizations and settings, Fontane captures the complexities of human relationships and the challenges of navigating a rapidly changing society.
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What are the downsides of realism?
One downside of realism is that it can lead to a pessimistic view of the world, as it often focuses on the harsh realities of life. This can lead to a lack of hope and optimism in individuals who subscribe to a strictly realist perspective. Additionally, realism can sometimes overlook the importance of imagination and creativity, as it tends to prioritize practicality and logic. Finally, realism can also be criticized for its tendency to ignore the subjective and emotional aspects of human experience, focusing solely on observable facts and evidence.
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What is magical realism in literature?
Magical realism is a literary genre that combines realistic elements with magical or fantastical elements in a way that blurs the line between reality and imagination. It often involves the presence of magical occurrences or supernatural beings in an otherwise ordinary or mundane setting. Magical realism allows authors to explore complex themes and emotions through the use of fantastical elements, creating a sense of wonder and mystery in the narrative. This genre is often associated with Latin American literature, with authors like Gabriel Garcia Marquez and Isabel Allende being prominent examples of magical realist writers.
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